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Editorial Reviews
From School Library
Journal
Gr 2-4-A brief, conversational
biography of the contemporary African-American artist. The print is large;
the layout is uncluttered. Black-and-white photographs are interspersed
throughout the text, along with full-color reproductions of the artist's
work and Venezia's cartoons with fictionalized dialogue balloons. The text
concentrates on aspects of Lawrence's life that affected his art. Mindful of
his audience, Venezia handles parts of the story in a truthful but gentle
manner. For example, the text states that "[Lawrence] knew that people who
didn't know about their history had no way of feeling proud of their past or
of themselves" to explain the artist's motivation in painting historical
figures who fought against slavery. In his discussion of The Migration
Series, Venezia states, "Although slavery had ended years before, many black
people were still treated badly in the South." Lawrence's successful
treatment for depression is mentioned, although his illness is not named.
The excellent-quality reproductions do a great deal to enhance and extend
the text. Lawrence's paintings have appeared in his The Great Migration
(HarperCollins, 1993) and Harriet and the Promised Land (S & S, 1993),
Walter Dean Myers's Toussaint L'Ouverture (S & S, 1996), and Gwen Everett's
John Brown: One Man against Slavery (Rizzoli, 1993), which would all be
excellent resources to use with this title. John Duggleby's well-executed
Story Painter: The Life of Jacob Lawrence (Chronicle, 1998) goes into more
detail and is intended for a slightly older audience.-Lucinda Snyder
Whitehurst, St. Christopher's School, Richmond, VA Copyright
2000 Cahners Business Information, Inc.
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08/13/03