Editorial Reviews
Book Description
With an introduction by Jerry
W. Ward, Jr.
Black Boy is a classic of American
autobiography, a subtly crafted narrative of Richard Wright's journey from
innocence to experience in the Jim Crow South. An enduring story of one
young man's coming off age during a particular time and place, Black Boy
remains a seminal text in our history about what it means to be a man,
black, and Southern in America.
"Superb...The Library of America has insured
that most of Wright's major texts are now available as he wanted them to be
tread...Most important of all is the opportunity we now have to hear a great
American writer speak with his own voice about matters that still resonate
at the center of our lives."
--Alfred Kazin, New York Time Book Review
"The publication of this new edition is not just
an editorial innovation, it is a major event in American literary history."
--Andrew Delbanco, New Republic
The Merriam-Webster
Encylopedia of Literature
Autobiography by Richard
Wright, published in 1945 and considered to be one of his finest works. The
book is sometimes considered a fictionalized autobiography or an
autobiographical novel because of its use of novelistic techniques. Black
Boy describes vividly Wright's often harsh, hardscrabble boyhood and
youth in rural Mississippi and in Memphis, Tenn. When the work was first
published, many white critics viewed Black Boy primarily as an attack
on racist Southern white society. From the 1960s the work came to be
understood as the story of Wright's coming of age and development as a
writer whose race, though a primary component of his life, was but one of
many that formed him as an artist. --This text refers to an out of
print or unavailable edition of this title.
Ingram
Wright's unforgettable and
eloquent autobiography of growing up in the Jim Crow South offers an
unsurpassed portrait of the struggles against the ingrained racism and
poverty faced by African Americans.
About the Author
Richard Wright won
international renown for his powerful and visceral depiction of the black
experience. He stands today alongside such African-American luminaries as
Zora Neale Hurston, James Baldwin, and Toni Morrison, and two of his novels,
Native Son and Black Boy, are required reading in high schools
and colleges across the nation. He died in 1960.
Excerpted from Black Boy
[ABRIDGED] by Richard Wright, Brock Peters. Copyright © 1989. Reprinted by
permission. All rights reserved
One winter morning in the long-ago,
four-year-old days of my life I found myself standing before a fireplace,
warming my hands over a mound of glowing coals, listening to the wind
whistle past the house outside. All morning my mother had been scolding me,
telling me to keep still, warning me that I must make no noise. And I was
angry, fretful, and impatient. In the next room Granny lay ill and under the
day and night care of a doctor and I knew that I would be punished if I did
not obey. I crossed restlessly to the window and pushed back the long fluffy
white curtains--which I had been forbidden to touch-and looked yearningly
out into the empty street. I was dreaming of running and playing and
shouting, but the vivid image of Granny's old, white, wrinkled, grim face,
framed by a halo of tumbling black hair, lying upon a huge feather pillow,
made me afraid.
The house was quiet. Behind me my brother--a
year younger than I--was playing placidly upon the floor with a toy. A bird
wheeled past the window and I greeted it with a glad shout.
"You better hush," my brother said.
"You shut up," I said.
My mother stepped briskly into the room and closed the
door behind her. She came to me and shook her finger in my face.
"You stop that yelling, you hear?" she
whispered. "You know Granny's sick and you better keep quiet!"
I hung my head and sulked. She left and I ached
with boredom.
"I told you so," my brother gloated.
"You shut up," I told him again.
I wandered listlessly about the room, trying to
think of something to do, dreading the return of my mother, resentful of
being neglected. The room held nothing of interest except the fire and
finally I stood before the shimmering embers, fascinated by the quivering
coals. An idea of a new kind of game grew and took root in my mind. Why not
throw something into the fire and watch it burn? I looked about. There was
only my picture book and MY mother would beat me if I burned that. Then
what? I hunted around until I saw the broom leaning in a closet. That's it
... Who would bother about a few straws if I burned them? I pulled out the
broom and tore out a batch of straws and tossed them into the fire and
watched them smoke, turn black, blaze, and finally become white wisps of
ghosts that vanished. Burning straws was a teasing kind of fun and I took
more of them from the broom and cast them into the fire. My brother came to
my side, his eyes drawn by the blazing straws.
"Don't do that," he said.
"How come?" I asked.
"You'll burn the whole broom," he said.
"You hush," I said.
"I'll tell," he said.
"And I'll hit you," I said.
My idea was growing, blooming. Now I was
wondering just how the long fluffy white curtains would look if I lit a
bunch of straws and held it under them. Would I try it? Sure. I pulled
several straws from the broom and held them to the fire until they blazed; I
rushed to the window and brought the flame in touch with the hems of the
curtains. My brother shook his head.
"Naw," he said.
He spoke too late. Red circles were eating into
the white cloth: then a flare of flames shot out. Startled, I backed away.
The fire soared to the ceiling and I trembled with fright. Soon a sheet of
saw her taut face peering under the edge of the house. She had found me! I
held my breath and waited to hear her command me to come to her. Her face
went away; no, she had not seen me huddled in the dark nook of the chimney.
I tucked my head into my arms and my teeth chattered.
"Richard!"
The distress I sensed in her voice was as sharp
and painful as the lash of a whip on my flesh.
"Richard! The house is on fire. Oh, find my
child!"
Yes, the house was afire, but I was determined
not to leave my place of safety. Finally I saw another face peering under
the edge of the house; it was my father's. His eyes must have become
accustomed to the shadows, for he was now pointing at me.
"There he is!"
"Naw!" I screamed.
Come here, boy!"
"Naw!"
"The house is on fire!"
"Leave me 'lone!"
He crawled to me and caught hold of one of my
legs. I hugged the edge of the brick chimney with all of my strength. My
father yanked my leg and I clawed at the chimney harder.
"Come outta there, you little fool!"
"Turn me loose!"
I could not withstand the tugging at my leg and
my fingers relaxed. It was over. I would be beaten. I did not care any more.
I knew what was coming. He dragged me into the back yard and the instant his
hand left me I jumped to my feet and broke into a wild run, trying to elude
the people who surrounded me, heading for the street. I was caught before I
had gone ten paces.
From that moment on things became tangled for
me. Out of the weeping and the shouting and the wild talk, I learned that no
one had died in the fire. My brother, it seemed, had finally overcome enough
of his panic to warn my mother, but not before more than half the house had
been destroyed.
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